Bernstein Chichester Psalms

Holy Trinity Church, Bradford on Avon

A concert where hope springs eternal with music for choir, organ, harp and percussion by English and American composers. Leonard Bernstein’s magnificent Chichester Psalms, written for the choirs of Chichester, Winchester and Salisbury Cathedrals is tuneful, tonal and contemporary, featuring dancing rhythms and glorious melodies with “a hint of West Side Story about the music”. Fellow American Randall Thompson’s uplifting, dramatic and harmonically lush Alleluia will leave the listener in a state of exultation. The Miracle of the Spring for choir and percussion by Bob Chilcott explores the life giving properties of water with his typical zest and accessibility hard to resist and A Fancy of Folksongs, written for harp and choir sets four well known folk songs, each given a contemporary, irresistibly playful feel by Cecilia McDowall.

Organist Steven Hollas is joined by harpist Ruth Kenyon and Countertenor soloist Stephen Harvey, lay clerk at Wells Cathedral. Tea and cake will be available.

£15 / £5 U18s + students

Bruckner Mass in E minor

Bernstein Chichester Psalms

Holy Trinity Church, Bradford on Avon

A concert where hope springs eternal with music for choir, organ, harp and percussion by English and American composers. Leonard Bernstein’s magnificent Chichester Psalms, written for the choirs of Chichester, Winchester and Salisbury Cathedrals is tuneful, tonal and contemporary, featuring dancing rhythms and glorious melodies with “a hint of West Side Story about the music”. Fellow American Randall Thompson’s uplifting, dramatic and harmonically lush Alleluia will leave the listener in a state of exultation. The Miracle of the Spring for choir and percussion by Bob Chilcott explores the life giving properties of water with his typical zest and accessibility hard to resist and A Fancy of Folksongs, written for harp and choir sets four well known folk songs, each given a contemporary, irresistibly playful feel by Cecilia McDowall.

Organist Steven Hollas is joined by harpist Ruth Kenyon and Countertenor soloist Stephen Harvey, lay clerk at Wells Cathedral. Tea and cake will be available.

£15 / £5 U18s + students

Concert Reviews

What Sweeter Music, December 2018

I know full well that Cantamus is a very good choir, but having heard you last night from the other side, I now appreciate just how VERY good it is. 

A stunning sound, with really tight, well-disciplined ensemble singing, much dynamic contrast - it was a terrific performance of a challenging, varied programme and, appropriately, extremely well-received by the audience.
BERNARD WIGHT

St John Passion with the English Touring Opera, October 2016

English Touring Opera’s latest presentation is Bach’s St John Passion, but their approach is not operatic in the sense of staging the work with the trappings of costume and props. Neither is it touring in the conventional way of a production doing the rounds. Rather, ETO’s soloists and regular accompanists, the Old Street Band, are working at each venue with choruses from within that community, in a natural extension of the company’s outreach and education programme. 

The impact of the opening chorus Herr, unser Herrscher, delivered by the joint forces of the Cantamus Chamber Choir, the Wiltshire Music Centre Chorus and choristers from St Laurence School with a considerable body of sound, was testimony enough to a worthy endeavour. 

ETO’s most imaginative and radical intervention has been commissioning new English translations of the words of the Bach chorales, each from a different writer and embracing a wide range of beliefs. It underlines very strongly a basic principle of Bach’s structuring of the passion, where the communal voices of the Leipzig community would have joined in the periodic choral commentary and corporate affirmation. Thus John McCarthy’s experience as a hostage in Beirut brings a particular force to the chorale that focuses on Christ’s capture, and the vehemence with which the voices articulated Giles Fraser’s words “Drenched in spit and mockery” adds a vivid contemporary resonance.
RIAN EVANS - THE GUARDIAN